Robert Plant And Alison Krauss Win Grammy Album Of The Year

Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff



Photo: Kevin Winter/ Getty Images

<P>"I'm bewildered," Robert Plant said onstage as he accepted the <MTVNLINK type="news" id="1604580">Grammy Album of the Year award</MTVNLINK> with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday." He was probably one of the few who were surprised, because <i>Raising Sand,</i> which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.</p><div style="margin: 0px 10px 10px 0px; float: left;"></div><p> You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history. Really, she's the key to <i>Sand</i>'s success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music &#8212; so much so that they began kicking around the idea of recording an album together. Three years later, <i>Sand</i> was released. And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain. And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on <i>Sand.</i> His arrangements are sparse &#8212; giving the two voices ample room to breathe &#8212; yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified. To date, <i>Sand</i> has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year &#8212; "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals. One expert was surprised not by the album's success, but by the fact that it's actually quite a good album. "At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" <i>New York Times</i> music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really <i>good</i> record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards." </p>

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Justin Bieber Debuts Darker Locks

Teen superstar was spotted with new hairstyle in Los Angeles over the weekend.
By Jocelyn Vena


Justin Bieber
Photo: Getty Images

<P>About a year ago, Justin Bieber made headlines when he lopped off his famous locks in favor of a shorter do. Now, almost 12 months later, he's once again making some hair-related headlines. </p><div class="player-placeholder right" id="vid:667806" width="240" height="211"></div><p> So, what has Bieber done now that has everyone <i>buzz</i>ing? Well, over the weekend, the Biebs was spotted in Los Angeles donning much darker hair than his trademark sandy blond. When Bieber cut off his hair last year, MTV News spoke to his hairstylist, Vanessa Price, who told us about his new look, noting that it had a lot to do with Bieber's growing pains. "We knew it was going to be a big deal," Price explained. "We knew it was going to shock fans, but we also knew it was going to be a change in terms of growing up. I think that's something that people adjust to. "We'd been talking about it for a while and shared some ideas, but literally the day of he was adamant about the haircut. He amped himself up for it," Price continued, before describing his momentary hesitation. "The minute we started cutting, he was like, 'Wait, wait, wait.' He loves it. He's enjoying it." The new hair color coincides with his girlfriend Selena Gomez's hairstyle changes. She recently tweeted a photo of herself sporting multi-colored highlights in her hair. Bieber's new look may be part of a makeover for his upcoming album, <i>Believe,</i> slated for release later this year. He confirmed last week that Black Eyed Peas frontman will.i.am will appear on the album. Not only does Bieber want to grow up when it comes to his look but also when it comes to his music. "The only conversation we've had about Justin's album that we're about to do is it's really important that it's the proper transition, because we've seen him [with] 'Baby,' now we're watching him grow up," Bieber's longtime vocal producer Kuk Harrell told MTV News in November. "And we can't just throw him into the adult game right away. It has to be the proper transition."</p>

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Adam Lambert's 'Whole Lotta Love': The Story Behind The Cover

Glam rocker tackled the legendary 1970 Led Zeppelin song for 'American Idol' rock night.
By Gil Kaufman



Photo: R. Mickshaw/Getty Images/ Fox

<P>Imagine a freight train speeding toward you at midnight. Or a rockslide barreling down a hill as you try to outrace it. That's the feeling of the ominous, chugging Jimmy Page riff that kicks off <MTVNLINK type="url" id="http://www.mtv.com/music/artist/led_zeppelin/artist.jhtml">Led Zeppelin</MTVNLINK>'s 1970 Stonehenge of rock, "Whole Lotta Love." And that's before singer Robert Plant leans into one of the nastiest, ecstatic rock screams this side of the Who's "Won't Get Fooled Again." That's the song Adam Lambert chose to sing on "American Idol" rock night Tuesday (May 5), and, needless to say, it was a challenge that the eyeliner-loving Los Angeles stage veteran was more than up for, hitting a series of high notes and rock screams that would have made Plant proud. It was a risky maneuver that paid off for Lambert, who chose a tune that came in at #75 on <I>Rolling Stone</i> magazine's list of the "500 Greatest Songs of All Time" in 2004. </p><div style="margin: 0px 10px 10px 0px; float: left;"> </div><p> The legendary British rock act recorded the tribute to Chicago blues icon Willie Dixon during their second U.S. tour after working it out in their live show, including it on their 1969 classic album <I>Led Zeppelin II.</i> Like many of the songs Zeppelin performed early in their career, "Love" was a blues standard turned on its head with a heavy dose of crunching psychedelic guitar and thundering drums, courtesy of late drummer John Bonham. The song was based on a 1962 tune by another blues forefather, Muddy Waters, called "You Need Love," which was penned by Dixon. For Zeppelin's version, Plant customized the lyrics by adding some lyrical quotes from a few other songs Dixon wrote for Howlin' Wolf, "Back Door Man" and "Shake For Me," nailing the tricky vocal in a single take. It was also inspired by 1966's "You Need Loving" from the British rock group the Small Faces, for whom Zeppelin had great affection, but they also did not credit Dixon for his part in writing the original lyrics. The song became Zeppelin's first U.S. single and their only U.S. top 10 hit. Though their manager would not let them release singles in the U.K. because he thought it cannibalized album sales, the song was finally released as the band's only British single in 1997. Dixon sued Zeppelin over the song in 1985, claiming it borrowed too heavily from his "You Need Love," and Zeppelin reached an agreement with him, with Dixon using the money he received to set up a program that provided musical instruments for schools. A cornerstone of heavy rock, the tune -- which was the theme song for the long-running British countdown show "Top of the Pops" in the 1970s and '80s -- has been covered by dozens of artists over the years, from Tina Turner and Ben Harper to Prince, Slash, Leona Lewis, Train's Pat Monahan, the London Symphony Orchestra and Jane's Addiction. <b>Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.</b></p>

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Usher's Next Album 'Soulful, Catchy,' Taio Cruz Teases

'He always wants there to be the soul in there,' Cruz tells MTV News about his 'Without You' collaborator.
By Jocelyn Vena, with reporting by Matt Elias


Usher
Photo: Todd Williamson/ WireImage

<P>Usher is hard at work on his next album. Set to work with fellow hitmaker Taio Cruz, the two already cooked up some magic with their David Guetta anthem "Without You," and it seems they are hoping to recapture that spirit for Usher's follow-up to 2010's <i>Raymond v. Raymond</i>. </p><div class="player-placeholder right" id="vid:717257" width="240" height="211"></div><p> "I saw Usher a few times, but I spoke to him at length at David [Guetta]'s house when we were in Ibiza [Spain]," he told MTV News in L.A. after his Jingle Ball set. "He has very specific ideas of where he wants to go musically and sound-wise." Given that Usher has never shied away from exposing a bit of himself in his music, while also keeping the party going, Cruz wants to make sure they can connect the mind, body and soul for this next release. "He always wants there to be the soul in there," he explained. "I'm kind of, not the opposite, but I'm always like, 'Let's get straight to the point and be really clear with the message and be simple.' "So we try to match those two worlds together: being soulful and, at the same time, catchy," he added. Cruz can't yet discuss what they're working on: Besides "Without You," he said, "Everything else is secret." Usher said he was drawn to the Guetta hit because he connected to it emotionally, explaining to MTV News recently what an important part that plays in his musical philosophy. "I think the world wanted a record like that. That [song] really spoke to the journey that I've actually been on in the last three years," he said. "Traveling all around the world, music sounds different. There's many different genres, and when you see R&B and pop and house, as well as electronic, come together, that's the reality of what music is." <div style="background-color:#000000;width:428px;"><div style="padding:4px;"></div></div></p>

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Dave Grohl, Josh Homme, John Paul Jones Unveil Supergroup

Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery



Photo: Jewel Samad/AFP/Getty Images

<P>Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended <i>very</i> early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures. To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere. According to some reports, the Vultures actually turned <i>down</i> Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town. Taking the stage just after midnight, the Vultures &#8212; Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar &#8212; ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called <i>Never Deserved the Future,</i> and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans). The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard &#8212; Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" &#8212; delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the <i>Chicago Sun-Times'</i> Jim DeRogatis. It's not known if Monday's Metro performance was a one-off event for the Vultures &#8212; there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October. Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site &#8212; posted a link to what appears to be the group's first bit of official merchandise: a <i>Deserve the Future</i> T-shirt. Cost: $30.</p>

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Nicki Minaj at the 2012 Grammy Nominations Concert

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On Wednesday night (November 30), Nicki Minaj was front and center at the 2012 Grammy Nominations Concert in Los Angeles. The 28-year-old songstress was dressed to impress as she took the stage to help present this year?s esteemed nominees - of which she found herself in the running for Best New Artist honors. Also included in the CBS TV special, Lady Gaga, Rihanna, The Band Perry and Usher all took the stage for spectacular performances while LL Cool J led the night's festivities as host. As one of the most highly-anticipated award shows of the year, the Grammy?s recognize outstanding achievements in the music industry. The show will air live from Staples Center on February 12, 2012. Enjoy the pictures of Nicki Minaj at the 2012 Grammy Nominations Concert. [gallery=791]

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